Ceramics	Practically all ceramics are based on head billet. It is a symbol of shaping and consciousness. Head billet is decorated with sign-symbols and there interaction makes a new beyond meaning, multi-level value and unusual perusal. Works color solution related to the space emotional saturation problem. I try to combine the space of external reality with my own inner world. These works contribute to create beautiful illusion with artistic reality border.
Contemporary ceramics made in different techniques (underglaze painting, engobami painting, painting on damp enamel) and from various materials (faience, glaze, luster, chamotte) decorate with leather, metal, nature wood, stones and hemp. It is nonordinary art work.

My works for sale

Architec

600€

Faience, underglaze painting, glaze.
H = 32 cm / 12,6 inches.
High baking (1260°).
1986 - 1989

In underglaze painting of porcelain dyes mark on unglazed porcelain. Then porcelains coat with gauzy glaze and bake on high temperature under 1350 degrees.

Architec 1

450€

Faience, engobami painting, glaze.
H = 37 cm / 14,5 inches.
High baking (1260°).
1986 - 1989

Engobe is a clay, which is divorced to consistence of sour cream. This mass is used as the paints. Painting by engobe makes before baking, when earthenware dried out a little, but contains some moisture. Just this provides for best cohesion engobe with surface.

Architec 2

500€

Faience, glaze, luster
H = 30 cm / 11,8 inches.
High baking (1260°).
1986 - 1989

Luster – it is thin gauzy pellicle. Luster marks on glazed surface of porcelains and earthenware products to give them after baking iridescent metallic lustre.

Keeper of time

850€

Chamotte,
painting on damp enamel,
glaze, leather, metal.
H = 30 cm/ 11,8 inches.
High baking (1260°).
1986 - 1989

Chamotte is not a kind of clay – it is the way of its arrangement. Chamotte mass is made from fire-clay. The ancient forms of chamotte were known in China, 2-1 thousand years B.C. And now it’s became very popular. Its originality in appearance, it is look like ancient natural stone, which is weathered with wind, with cracks, chinks and chips. Chamotte looks excellent near natural wood and furniture.

Man-box

800€

«Self-portrait». Faience, salts, glaze.
H = 32 cm / 12,6 inches.
High baking (1260°).
1986 - 1989

Sen-sey

850€

Chamotte, salts, glaze.
H = 42 cm / 16,5 inches.
High baking (1260°).
2003

Devoted to my teacher Shapovalov V.P.

Geisha

1000€

Chamotte, salts, glaze, wood, leather.
H = 36 cm / 14,2 inches.
High baking (1260°).
2003

Verges ( composition )

620€

Chamotte, engobami painting, glaze.
H = 30 cm / 11,8 inches.
High baking (1260°).
1986 - 1989

Destroyer

800€

Chamotte, engobami painting,
glaze, leather, stones.
40x30cm / 15,7x11,8 inches
H = 32 cm / 12,6 inches.
High baking (1260°).
1986 - 1989

Devoted to writer Kobo Abe

Inner life

600€

Chamotte,
painting on damp enamel,
glaze, hemp, wood.
28x40 cm / 11x15,7 inches.
High baking (1260°).
1986 - 1989

Hemp are fibers of hemp’s stems. It is made by long soaking (about 2 years) of hemp’s mass in flowing water. Hemp are notable for steadfastness to salt water.

They are against landscape ( composition )

650€

Chamotte, engobami painting, glaze, wood.
20x40 cm / 7,8x15,7 inches.
H = 50 cm / 19,6 inches.

20x40 cm / 7,8x15,7 inches.
H = 40 cm / 15,7 inches.

High baking (1260°).
2003

Directions of my art: